Affective computing by Rosalind W. Picard PDF

By Rosalind W. Picard

ISBN-10: 0262661152

ISBN-13: 9780262661157

Part 1 of this booklet offers the highbrow framework for affective computing. It contains historical past on human feelings, standards for emotionally clever pcs, functions of affective computing, and ethical and social questions raised by means of the expertise. half 2 discusses the layout and building of affective desktops. themes in half 2 comprise signal-based representations of feelings, human impact acceptance as a trend popularity and studying challenge, contemporary and ongoing efforts to construct types of emotion for synthesizing feelings in desktops, and the recent software zone of affective wearable computers. evaluation As a scientist who works in laptop improvement, Rosalind Picard is acquainted with operating with what's rational and logical. yet in her learn on the right way to permit desktops to raised understand the international, she chanced on anything dazzling: within the human mind, a severe a part of our skill to determine and understand isn't really logical, yet emotional. as a result, for desktops to have the various complicated skills we hope, it can be precious that they understand and, in a few instances, believe feelings. Affective Computing is not approximately making computers that get grumpy for those who input repeated error or that could react out of worry like 2001 's Hal or The Terminator 's SkyNet; it truly is approximately incorporating emotional expertise that let pcs to raised practice their jobs. at the least difficult point, this could suggest fitting sensors and programming that easily enable a automatic approach to figure out the emotional nation of its person and reply for this reason. The publication additionally mentions thoughts reminiscent of the skill to incorporate emotional content material in computer-moderated communications that paintings much better than modern day emoticons.

The first a part of Picard's booklet introduces the theoretical foundations and ideas of affective computing in a completely nontechnical demeanour. She explores why emotions may possibly quickly develop into a part of computing know-how and discusses the benefits and the worries of the sort of improvement. Picard increases a couple of moral matters, together with the capability for deceptive clients into pondering they are speaking with one other human and the necessity to include in charge habit into affective desktop programming, alongside the traces of Isaac Asimov's well-known 3 legislation of robotics. partially 2, the booklet turns into extra technical, even though it continues to be in the comprehension of so much laypeople. This part discusses how desktops can be designed, built, and programmed so they can realize, convey, and even have feelings. This ebook is a pretty good clinical creation to an issue that feels like a doorway into technological know-how fiction.

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Patrons were interviewed after exiting a movie theatre, where they had seen one of several movies, which had been previously classified as happy, sad, or aggressive in affective tone. In response to the interviewers' questions, the viewers made judgments that reflected the tone of the film they had just seen. No such bias was found among patrons who were entering the theatre (Forgas and Moylan, 1987). Not only does mood influence judgments about seemingly objective events, but it also influences memory retrieval.

Many people who have lost the ability to speak rely on typing at a computer, and having the computer synthesize speech for them. However, they are still handicapped when it comes to being able to raise their voice in anger when anger peaks during an argument, or soften it lovingly when they feel loving. Their synthetic voices are much more useful if they include affective intonation. It would be especially beneficial if the computer could directly sense the typist's affect, and modulate the synthetic speech accordingly.

Poets and writers John Berryman, Ernest Hemingway, Randall Jarrell, Robert Lowell, Sylvia Plath, William Styron, and Anne Sexton were all hospitalized for either mania or depression during their lives. And many painters and composers, among them Vincent van Gogh, Georgia O'Keeffe, Charles Mingus, Robert Schumann, and Virginia Woolf, have been similarly afflicted. William James, the profoundly creative and influential psychologist, battled depression for many years. 40 Chapter 1 Of course, mood disorders do not necessarily breed creative genius, nor does creative genius imply a mood disorder.

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Affective computing by Rosalind W. Picard

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