By Cher Krause Knight, Harriet F. Senie
A better half to Public Art is the single scholarly quantity to check the most concerns, theories, and practices of public artwork on a complete scale.
- Edited through unique students with contributions from artwork historians, critics, curators, and paintings directors, in addition to artists themselves
- Includes 19 essays in 4 sections: culture, web site, viewers, and significant frameworks
- Covers vital subject matters within the box, together with valorizing sufferers, public artwork in city landscapes and on collage campuses, the position of electronic applied sciences, jury choice committees, and the intersection of public artwork and mass media
- Contains “artist’s philosophy” essays, which deal with better questions about an artist’s physique of labor and the sector of public artwork, by means of Julian Bonder, eteam (Hajoe Moderegger and Franziska Lamprecht), John Craig Freeman, Antony Gormley, Suzanne Lacy, Caleb Neelon, Tatzu Nishi, Greg Sholette, and Alan Sonfist.
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Additional info for A Companion to Public Art
Cleveland, OH: Cleveland Museum of Art. 9–12. Harris, Jonathan. 1995. Federal Art and National Culture: The Politics of Identity in New Deal America. Cambridge: Cambridge University Press. Schrank, Sarah and Sally Webster, eds. 2014. 1 (Spring: special issue). Senie, Harriet F. 1992. Contemporary Public Sculpture: Tradition, Transformation, and Controversy. New York; Oxford: Oxford University Press. Senie, Harriet F. 2016. Memorials to Shattered Myths: Vietnam to 9/11. New York; Oxford: Oxford University Press.
Among the artists interviewed is John Carson, who asserts that art’s essence is about communication and thus an artist must always consider with whom he wants to communicate, what he wants to say and the best method for doing so. Jen Delos Reyes (artist and also producer of Open Engagement, an international conference on socially engaged art) agrees. ” Meanwhile Mary Miss notes the shift in her own practice from a focus upon site to that upon audience, and also to maintaining meaningful collaborations across disciplines and fields.
Hanover, NH; London: University Press of New England. Calhoun, Craig, ed. 1991. Habermas and the Public Sphere. Cambridge, MA: MIT Press. Deutsche, Rosalyn. 1996. Evictions: Art and Spatial Politics. Cambridge, MA: MIT Press. Forty, Adrian and Susanne Kuchler. 1999. The Art of Forgetting. Oxford; New York: Oxford University Press. Goldstein, Barbara, ed. 2005. Public Art by the Book. Seattle, WA: University of Washington Press. Habermas, Jürgen. 1962. The Structural Transformation of the Public Sphere: An Inquiry into a Category of Bourgeois Society, trans.
A Companion to Public Art by Cher Krause Knight, Harriet F. Senie